The premise of the plot, of a wife trapped in an abusive marriage might consider either leaving it or taking a lover, outraged some sections of Restoration society.
Writer and Professor of English Frank McCormick raises doubt on the often-repeated claim that Vanbrugh wrote part of his comedy The Provoked Wife in the Bastille being based on allusions in a couple of much later memoirs.
It is different in tone from his first play, the largely farcical 1696 comedy The Relapse, and adapted to the greater acting skills of the new company of actors chosen for its premiere, who walked out not long before in a dispute with management.
While The Relapse had been robustly phrased to be suitable for amateurs and minor acting talents, he could count on versatile professionals like Thomas Betterton, Elizabeth Barry, and the rising young star Anne Bracegirdle to do justice to characters of depth and nuance.
Vanbrugh takes advantage of this schema and these actresses to deepen audience sympathy for the unhappily married Lady Brute, even as she fires off her witty ripostes.
Josephine Woodford as the maid, Robert Arnold her suitor and Edward Hardwicke as the J.P. Alan Barrett provided sets and it featured the "clever pastiche" of Madeleine Dring.
[4] The cast included Julian Rhind-Tutt as Heartfree, Tom Mannion as Constant, Dave Hill as Sir John Brute, Saskia Reeves as Lady Brute, Sarah Smart as Belinda, Josie Lawrence as Lady Fanciful, Tonia Chauvet as Claudette, David Crellin as Colonel Bully and Alexander Delamere as Lord Rake.