The story deals with four days in Lissy's life in which she finds an outlet for a rebellious urge that has built up over several years.
[5] In contrast to Himmel og helvete, Christensen chose a more experimentalist style and a less moralizing story, always portraying Lissy's own perspective.
Finn Syversen wrote in Aftenposten that "Christensen has wisely refrained from using the notion of drug abuse as a polemic topic.
The debate on this phenomenon, which is relatively little explored by medical and sociological experts, has thus not been allowed to influence his intentions in any provocative, trend-setting way.
... We fully believe in Kjersti Døvigen's Lissy, who gives the role a character that reveals that she has a certain intuition for symptoms of loneliness in the cynical pessimism that plagues so many of today's young people.