This conservatism led him to order the destruction of the first stone theatre in Rome in 151 BC and to oppose the final war against Carthage, advocated by his rival Cato the Censor.
Moreover, ancient authors often give contradictory accounts of his life; as a result, modern historians have had diverging interpretations to explain some of his deeds, especially his opposition to the war against Carthage, or his destruction of the first Roman theatre in stone.
The agnomen Corculum is unique in Roman history; it is probably an archaic Latin word meaning "intellectual giftedness" or "cleverness".
[22][23][24] The Scipiones Nasicae claimed a moral superiority over Rome with the epithet of optimus vir (the "best man"), carried at least since Lucius Scipio (consul in 259) as he is described as such on his epitaph.
It seems that his descendants were able to convince their peers of this claim, because Corculum's father (the consul of 191) officially received the title of Optimus Vir from the senate when in 204 he was asked to bring the sacred stone of the goddess Magna Mater from Ostia to Rome.
[27] The Nasicae likely used the prestige of this epithet for their own benefit, but contrary to Africanus, Asiaticus, and Aemilianus, they followed a very conservative line and scrupulously respected the senatorial supremacy, while their cousins often breached constitutional rules with the support of popular assemblies.
[30] Together with his colleague Publius Cornelius Lentulus (the future consul of 162), they funded the most lavish circus games ever seen so far, which included 63 panthers, 40 bears and elephants.
[32][33] The aediles benefited from a law passed the previous year by the tribune of the plebs Gnaeus Aufidius, which allowed importation of beasts from Africa for the circus games.
The Third Macedonian War began in 171 after King Perseus of Macedon had allegedly tried to assassinate Rome's ally Eumenes II of Pergamon (among many other reasons).
The second account is a letter or memoir written by Corculum himself and addressed to a king, possibly Massinissa of Numidia, as the Cornelii had personal ties with him since Scipio Africanus.
The memoir is considered to be one of the earliest Roman autobiographical texts, second to a long letter of Scipio Africanus to Philip V, which likely inspired Corculum.
[52][53][54] In southern Macedonia Perseus had fortified the north bank of the Elpeus River to prevent Paullus from entering his kingdom from the south.
Corculum's version is different, as he wrote that a deserter warned Perseus of the flanking manoeuvre; he therefore had to face a force of 12,000 men, whom he defeated—and also personally killed a giant Thracian.
[59] Livy says that Corculum and other officers in Paullus' staff wanted to attack Perseus immediately, but the consul preferred to delay in order to rest the troops.
[69] It seems that Corculum prevented Amphipolis from being punished by Paullus for having opened its gates to Perseus in his flight, because a statue of him was later erected in the city's gymnasium.
[70][71] Corculum's moderation against the defeated Macedonians and Greeks mimicked that of Africanus after his victories against Carthage and the Seleucids, and contrasted with the brutality of Aemilius Paullus, who enslaved 150.000 people in Epirus on his way back to Rome.
[90][91][9] As for his building program, Corculum installed the first water clock at Rome in the Basilica Aemilia; the Romans had to hitherto rely solely on sundials.
[99] This decision was taken in a context of increased control on public morality, notably marked by the Lex Fannia of 161, a sumptuary law which restricted ostentatious banquets.
[109] The First Dalmatian War had been triggered in 156 by an attack of the Dalmatae on the Illyrians, allied to Rome, and their treatment of an embassy of Gaius Fannius Strabo (consul in 161).
In addition, Polybius gave the contemptuous explanation that the senate wanted to give some exercise to the army, possibly because he was opposed to this war.
[120] The confused accounts of Aurelius Victor and Lucius Ampelius, who say that Corculum refused the triumph, are denied by the Fasti Triumphales, although the date is lost; it could have taken place in 155 or 154.
[20][121] In 154 the censors Gaius Cassius Longinus and Marcus Valerius Messala started the construction of the first stone theatre in Rome.
[127] This action took place in a general context of reducing the growing influence of Hellenism at Rome, since Cato the Censor also expelled several Greek philosophers the same year.
[139] Author of the longest study on the subject, James Tan suggests that Corculum intended to succeed to Marcus Aemilius Lepidus, who had died in 152, as princeps senatus and pontifex maximus.
[141][142] Cato was impressed by the prosperity of the Punic city and noticed that it had "lots of timber", which could be used to build ships (in order to make war against Rome).
[153][154][155][156] Lintott writes that this argument was later embellished by historians living after the Gracchi to explain the hundred years of social crisis that prevailed in Rome once Carthage had been destroyed; Sallust is especially known for having theorised this concept of the necessary fear of a common enemy (Metus hostilis).
Firstly, the influence of the princeps senatus Marcus Aemilius Lepidus was missed in the senate after his death in 152, because like Corculum, he favoured prudent diplomacy.
[185][186][187] Jacques Heurgon thinks that Corculum, supported by the two censors, passed the decree ordering the translation of the books on agriculture by the Punic author Mago, which were seized from Carthage in 146.
To th' end that his victorious People should With cankring Leisure not be overworn; He well foresaw, how that the Roman Courage, Impatient of Pleasure's faint Desires, Through Idleness, would turn to civil Rage, And be her self the Matter of her Fires.
[209] In the late 16th and early 17th century England, Puritans led a long campaign against theatres, which they considered a source of depravity, culminating with their interdiction in 1642.