[3] Philip Sherburne of Pitchfork described Quannnic's music as containing much Auto-Tune and "post-everything bedroom beats", which "restored some of shoegaze's crystalline detail in their sparkling, digitally rendered high end".
[2] Eli Enis of Stereogum described Kenopsia as a mix between shoegaze, the glitchy elements of digicore, and Deftones-like nu-gaze, with a singing akin to emo-rap.
[2] Jordan Darville of The Fader wrote that it "embraced glitch-pop and the anime intro electronics of Porter Robinson", being similar to old songs by Jane Remover.
[10] Singaporean band Sobs chose Kenopsia as one of their favorite albums of 2022 to Brooklyn Vegan, with member Celine saying: "Indie rock melodies glimmering with autotune over a gloomy hyperpop-meets-shoegaze backdrop.
[2] Enis found Stepdream to be influenced by Elliott Smith and Jeff Buckley and felt that Quannnic "swerved in a more collegiate singer-songwriter direction" with it.
[10] He felt that, "[b]eneath the foggy textures and hazily cooed lyrics, there's a real sense of stakes on Stepdream, like its songs are Quannnic's last, best chance to define [themselves]".
[12] Abby Kenna of Ones to Watch said that, with the album, "Quannnic refines their unique perspective, blending their influences that reach from metal to folk while keeping their voice and emotional turmoil consistent.