Quyen Tran /ˈkwiːɛn ˈtræn/[1] is a Vietnamese-American cinematographer based in Los Angeles.
[2][3] She has worked on multiple Sundance films such as The Little Hours and Deidra & Laney Rob a Train.
[4] After witnessing the 9/11 attacks in New York City, Tran applied to film school and was accepted to UCLA.
[3][6] Her photos have appeared in the New York Times,[7][8] LA Times,[9] USA Today, New York Post, New York Daily News, Dateline NBC, HBO’s In Memoriam, BBC, CNN International News, PBS, Sacramento Bee, The Age (Australia), Scientific American, Variety, TV Guide, and more.
Hollywood’s Rank & File Leaders Tackle Diversity[59] Four Asian-American Women Share Their Experiences Working in Hollywood, by Peter Caranicas[60] How 'The Little Hours' DP Used 'Crazy Rigs' to Recreate Film School on an Unpredictable Set, by Hawkins DuBois[23] “How to Sell the Outrageous Premise of the Film”: DP Quyen Tran on Deidra & Laney Rob a Train, by Filmmaker Staff[61] International Women’s Day: 17 female cinematographers to celebrate, by Nikki Baughman[62] Interview: Cinematographer Quyen Tran on the Minute Details of Filming “The Little Hours," by Stephen Saito[63] Motion picture academy invites largest class ever in continued push for diversity, by Josh Rottenberg[64] Sundance 2017 Q+A — Cinematographer Quyen Tran, by David Alexander Willis[65] Quyen Tran on Shooting Frankie Shaw’s Sundance-Winning SMILF, by Scott Macaulay[53]