Her work can be found in The Vivian O. and Meyer P. Potamkin Collection in the Pennsylvania Academy of the Fine Arts, and is featured in the book Alla Prima: A Contemporary Guide to Traditional Direct Painting[5] written by Al Gury, the chairman of the Pennsylvania Academy's painting department.
The composition alludes both to the symbolic nature morte of the Baroque era and to the still lifes of Chardin.
Broad, scumbled masses provide the setting for paint that has varying degrees of oil added to it.
The "fatter" final, detail touches sit on top with clarity due to the added oil, which created a sharper edge over the less oily paint beneath.
[5]: 27 Constantine made her curatorial debut at the Principle Gallery in Alexandria, Virginia, with Beyond the Surface, a group show featuring work from realist artist who include conceptual elements in their work along with their high levels of technical mastery.