His concerts are never mere repetitions of recorded songs, but a mixture of free improvisation and satirical humor exploiting all aspects of human nature in a crude manner.

[2] Antonije Pušić was born in Kotor, SR Montenegro, SFR Yugoslavia though his family lived in nearby Herceg Novi where he was raised.

His writer and painter mother Bosiljka was born in Ćuprija and raised in Jagodina, Serbia before meeting Ilija Pušić from the coastal village of Kumbor near Herceg Novi and moving there upon marrying him.

[3] After completing elementary and secondary education in his hometown, Antonije graduated in tourism studies from the University of Belgrade's Faculty of Mathematics and Natural Sciences.

Since very few people had prior knowledge of him, Rambo was delighted in creating confusion by introducing himself as Nagib Fazlić Nagon, a mine shaft operator who saved up enough money to record an album.

The track "Amerika i Engleska (biće zemlja proleterska)" was originally supposed to be named "Kataklizma komunizma" (Cataclysm of Communism) but local authorities did not allow it.

The album title pokes fun at a bizarre event from the 1989 protests in Montenegro that eventually grew into the anti-bureaucratic revolution that swept Milo Đukanović, Momir Bulatović, and Svetozar Marović into power.

Tracks like "Smrt popa Mila Jovovića" (30-year-old poem by Božo Đuranović), "Jemo voli jem" (incorporating samples from Yugoslav aviators' anthem "Hej vojnici vazduhoplovci" as well as Šemsa Suljaković's "Izgubila sve sam bitke"), "Inspektor Nagib" and "Zdravo damo" became instant hits.

During "Belgrade spring" festival in 1992. he showed civil courage when he interrupted a concert by "Bebi Dol" during live TV broadcast and said to tens of thousands of viewers: "As we play here bombs are falling on Dubrovnik and Tuzla.

Trying to take the new situation in stride, he hit the road, becoming one of the first performers from FR Yugoslavia to regularly start touring Macedonia and Slovenia in the years following those states' declarations of independence.

After the live album KPGS (taped on 29 December 1992 in Skopje) that included the new studio track "Karamba karambita" followed by a greatest hits compilation Izabrana dela 1989–1994, Rambo recorded peculiar new material during July 1995 in Paris with Goran Vejvoda.

Released the following year as Mikroorganizmi, it featured an inaccessible, moody sound garnered with terse, experimental music marking a sizable departure from his usual antics.

He simultaneously released Muzika za decu, a personal musical take on Ljubivoje Ršumović's poetry featuring two bonus new tracks – "Sex" and "ABVGD".

Towards the end of 1996, on Titanik he delivered a new batch of traditional fare like "Šakom u glavu", "Sado-mazo", "Zreo za penziju" and "Otiš'o je svak ko valja" (dedicated to Toma Zdravković and members of Šarlo Akrobata).

An extensive tour followed and it again included Slovenia (a live album was recorded over two Ljubljana concerts in April 1997 and later released as Koncert u KUD France Prešeren), as well as Bosnia where Rambo appeared as a guest at Sejo Sexon's Zabranjeno pušenje gig in Sarajevo.

Back home, not surprisingly, he also returned to music and continued to break down inter-ethnic barriers: on 10 December 1998 he and Margita Stefanović played a show in Pula at the local cinema with KUD Idijoti, which was a first opportunity since the war for a Croatian audience to see performers from Serbia and Montenegro.

Rambo Amadeus was internally selected by the Montenegrin national broadcaster RTCG to represent Montenegro in the Eurovision Song Contest 2012 in Baku, Azerbaijan.