Mudboy began recording experimental noise and electronic organ music in 2000 while a resident of Fort Thunder and continues to do so today.
His compositions have been related to early minimalists such as Terry Riley, though he has identified dub music as an important influence in interviews.
A residency at the art and book store in Los Angeles "Family" produced "a large-scale, touch-sensitive, dark-activated, 3-dimensional, 6-oscillator spellcasting diorama and crystal cave.
"[3] Other installations in Baltimore, Chicago, and Providence also use darkness, micro LED lights, kaleidoscopic mirrors, fog machines and organic cardboard creations to create illusions.
I lean heavily on the theoretical writings of authors like Ursula Le Guin and Philip K. Dick, both of whom argue that the production of "fantasy" and "miracle" is a critical, anti-fascist, and ultimately utopian occupation.