][1] Critic Ann Powers, writing in The New York Times, liked Bitton's low-key treatment as she "served her subject by de-emphasizing the pathos in favour of the craft", using "calm narration".
[3] "Passion is at the core of the "Piaf" Persona, in this case there is a surrogate, she is RAQUEL BITTON," wrote Anna Kisselgoff in the New York Times.
Adapted in English “Zelda” about F. Scott Fitzgerald's wife written by French playwright Sam Vansteen.
The overall sound is lush, warm, and seductive, as it must be for this literature, but there is absolutely no lack of detail," says critic Rad Bennett of her latest album.
[4] Critic L. Pierce Carson of the Napa Register wrote, "...From the beloved bolero of Osvaldo Farres, "Plus Je Vous Aime," to the pulsating bandoneon of "Tango Melodie," from the classic love song, "Tout Bleu," of French composer Henri Bourtayre to the ultimate payback song, "Il Est Trop Tard," "Rhythm of the Heart" is a gem.