[5][6][7] Much of Tabet's work is based on research and mostly about socio-political history, informed by architecture.
[9] His first solo exhibition in Italy was La Mano De Dios (2016) at the Marino Marini Museum, which included work from his Five Distant Memories series.
[9] In 2019, the exhibition Rayyane Tabet / Alien Property opened at the Metropolitan Museum of Art and displayed the museum's orthostat reliefs and Tabet's graphite transfers, Orthostates, in tandem with his family heirlooms.
It conveys the fragmentation and division as Tell Halaf sat at the center of political governance and conflict.
[10] Tabet was selected to participate in the 2022 Whitney Biennial titled "Quiet as It's Kept" curated by Adrienne Edwards and David Breslin.