[6] In 2010 Calvert began working with UK dance record label Numbers under the alias Redinho, releasing his beat tape Bare Blips.
[18] In 2017, under his own name, Calvert released a beat tape titled Zanbor, accompanied by a film made by filmmaker and producer Abdullah Al-wali.
The Guardian wrote that "The Long Goodbye’s main currency is pointed blasts of sound, where rattling percussion and samples of traditional Indian and Pakistani instruments and singing, the latter frequently looped into insistent, hypnotic motifs, clash against bursts of harshly distorted electronics.
On occasion, it slips into more commercial territory – Karma has a hint of tropical house about it, Deal With It has an impressively hooky pop melody – or something that sounds suspiciously like musical satire: Jay Sean’s appearance on Any Day repurposes Drake’s Auto-Tuned solipsism for socio-political ends.
The atmospheric and emotional body of work was a personal snapshot in time made during the 2020 pandemic, rooted in electronic music, beats, and 80s VHS nostalgia, all written, produced and performed by Redinho himself.
The album was received favourably in the press, with Loud and Quiet magazine calling it "an immensely delicate and vulnerable record" that "truthfully captures the turbulent emotions universally felt during lockdown.