[2] Martin Caballero of USA Today said that "Gas Pedal" only hinted at what his debut album will showcase, which is "buoyed by energetic and richly textured beats, he deftly mixes slick raps with Auto-Tuned vocals on singles like 'Desert of Mirages'.

"[3] Pitchfork contributor Craig Jenkins praised Sage's production and vocal delivery for bringing a lot charm into the tracks, concluding that: "Remember Me keeps its mood light and its stakes low, and in the process delivers a much needed breezy counterpoint to all the knotty, fatalistic shit coming out of HBK's downstate peers that’s every bit as true to Cali as the gangsters and the thinkers.

[8] HipHopDX writer Ronald Grant gave credit to both Sage and P-Lo for their consistent beat work throughout the track listing, highlighting both "Down On Your Luck" and "Mad at Me" for incorporating R&B sounds that give off a "more melodic, delicate quality", but was critical of the album overall feeling "indistinguishable" with its lyrical subject matter and production lacking "diversity, imagination and risk-taking" alongside similar rap radio content concluding with, "But what Sage The Gemini lacks in lyricism and engaging subject matter, he makes up for in magnetism and harmonic finesse.

"[5] Jordan Sowunmi from NOW noted how Sage's musicianship wasn't versatile and adopted the same production more suited for "short-burst Vine videos", but said there's an addictiveness to his "spare aesthetic" concluding that: "Overall, the record is buoyed by relentless exuberance and good-natured charm.

"[6] While finding the album filled with club tracks and lyricism that range from simplistic to odd, Jameel Raeburn of XXL found the production ear-grabbing and danceable, concluding that, "There's no question that Remember Me is best served with the volume turned all the way up.