On 3 September 2007 Anzovino was invited by Ente dello Spettacolo and La rivista del Cinematografo to perform at the 64th Venice Film Festival with a specifically written show.

He proposed a new experiment: reversing the usual relationship between music and images accompanying the execution of songs with sequences taken from silent film masterpieces, making each piece match with a completely different movie.

[7] On 26 April 2010 Anzovino released his third album, Igloo – Piccola sinfonia per orchestra e duetti contemporanei, on which the encoded symphonic movements – entrusted to an orchestra of more than 40 elements – are counterpointed by the duets between Anzovino and some of the greatest Italian musicians on the international scene: with Franz Di Cioccio's drums (PFM), with the clarinet of Gabriele Mirabassi, with the bass of Enzo Pietropaoli, with the guitar of Bebo Ferra, and with the two Top Jazz 2009 artists (the annual referendum organized by the historic magazine "Musica Jazz") Francesco Bearzatti on saxophone and Luca Aquino on trumpet.

[8] In March 2012 he participated together with Dargen D'Amico and Roberto Dellera from Afterhours, as music composer/piano special guest/string director on the album Fili invisibili (Metatron) by DJ Aladyn, in the eight-hands song "Mi vuoi bene".

[10] On 8 October 2012[11] his fourth album Viaggiatore Immobile (Egea Music) was released, produced by sound designer Taketo Gohara, with orchestral arrangements by Stefano Nanni and cover signed by Oliviero Toscani.

On 18 February 2013, the newspaper"Il Fatto Quotidiano published in its first page the incipit[clarification needed] manuscript of "9 Ottobre 1963 (Suite for Vajont)" and the image of Anzovino with the heading "Soundtrack of the Week", reporting the following thought of the composer: "Music can sometimes help memory."

The jury – chaired by Luigi Abete – gave this explanation to the award: " "9 Ottobre 1963 (Suite for Vajont)" is a strong and overwhelming composition showing Anzovino's great human and artistic sensitivity: only a son of that land could compose it."

"[citation needed] On 7 December 2013, the Lelio Luttazzi Foundation invited Anzovino to hold a special concert for piano solo in honor of the great artist from Trieste at the "Palazzo delle Esposizioni" in Rome, as the event of the exhibition "LelioSwing 50 anni di storia italiana".

On Friday 25 April 2014, Anzovino was awarded the Premio San Marco 2014 prize in the Room of the Municipal Council of Pordenone, the highest honor that the city assigns by the hands of the Mayor, on the advice of the prestigious Academy of San Marco and the Propordenone association, "to those citizens who excelled so much in the various fields of human activity (arts, humanities, sciences, business, sports, social commitment) as to give prominence to the name of the city and can be offered as an example, particularly for the younger ones".

The motivation: "Composer and pianist, born in 1976, despite his young age he has already demonstrated considerable talent with excellent results in national and international contexts, where he was appreciated for its artistic and human qualities.

[19] The newspaper of the Friuli Venezia Giulia, "Il Messaggero Veneto", asked Remo Anzovino to write an editor's review of the construction of the dawn concert, published on the front page on 14 July 2014 with the title "Sinfonia di una Città".

He participated in the tribute album to Cesária Évora and Cape Verdean music with a piano and voice duet with Gino Paoli of "Santo me", the Italian version of "Sao Tomè no Equador", also as producer and arranger.

[21] The album was published also in this case as an attachment to the historic magazine Musica Jazz in December 2014, with the participation among others of Mina, Lucio Dalla, Fabio Concato, Stefano Bollani, Franco D'Andrea, Danilo Rea and Rita Marcotulli, and Enrico Intra.

[24] Lino Capolicchio told that his first meeting with Anzovino "happened quite by chance at the film festival of Fondi, dedicated to Giuseppe De Sanctis: on that occasion I read, with its accompaniment, some poems by Pasolini.

The song, produced by Taketo Gohara and Anzovino, was released as a single on 29 October 2015, supported by an official video signed by Gianluca Moro and Daniel Natoli, which filmed the artists in the room during the recordings at the "Teatro delle Voci" of Treviso.

The internal notes of the disc were edited by the journalists Tommaso Cerno, Jonathan Giustini, Angela Felice and by Anzovino himself, explaining: "The music of "L'Alba dei Tram" began to grow inside of me two years ago, after a visit by night to the Idroscalo of Ostia, where Pasolini was murdered...

The music was born after many months and called Inilosap, thinking about the name of the poet backward, as if rewinding the film of his intellectual and human story the movie could remain even more intact every time...

[30] On 25 February 2016, Emanuela Audisio's docu-movie Pasolini maestro corsaro, which Anzovino signed the entirely[clarification needed] soundtrack for, received the "Nastro d'Argento" special mention.

[34] On 27 and 28 May 2016 he was chosen by the magazine Il Messaggero Veneto as the only guest artist of the celebrations for the 70 years of the newspaper, performing in two concerts at the Teatro Nuovo Giovanni da Udine, with the participation – in addition to the Director Tommaso Cerno – of journalists Enrico Mentana, Franca Leosini, Myrta Merlino, Lirio Abbate and Emiliano Fittipaldi.

Moreover, he sonorized some period films live, and duetted with the singer Chiara Civello in Gino Paoli's song "Senza Fine", captivating the auditors in the auditorium Parco della Musica-Sala Sinopoli and the entire TV audience.

[37] During his career, among many others, he collaborated with Franz Di Cioccio, Giuliano Sangiorgi, Gino Paoli, Oliviero Toscani, Mauro Ermanno Giovanardi, Danilo Rossi, Dino Pedriali, Lino Capolicchio, Enzo Pietropaoli, Tre Allegri Ragazzi Morti, Davide Toffolo, Simone Cristicchi, Taketo Gohara, Paolo Baldini, Vincenzo Vasi, Francesco Bearzatti, Bebo Ferra, Gabriele Mirabassi, Luca Aquino, Tommaso Cerno, Orchestra D'Archi Italiana, Coro Polifonico di Ruda, Luisa Prandina, Giuseppe Ettorre, Giuseppe Cacciola, Alessandro "Asso" Stefana, Fondazione Lelio Luttazzi, Dj Aladyn, Dargen D'Amico, Roberto Dellera, Emanuela Audisio.