Renaud

Several of his songs are popular classics in France, including the sea tale "Dès que le vent soufflera", the irreverent "Laisse béton", the ballad "Morgane de toi" and the nostalgic "Mistral gagnant".

His songs, with their slang lyrics and idiosyncratic Parisian phrasing, deal with both light and serious themes, alternating humor, emotion, and social criticism.

Although he enjoyed great success in France in the 1970s, 1980s and 1990s, his career took a roller-coaster ride thereafter, with the singer regularly falling victim to depression and alcoholism, ailments he recounts in various songs.

Although his political stance has provoked controversy, he has nicknamed himself "le chanteur énervant" (the irritating singer), due to his many commitments to causes such as human rights, ecology, and anti-militarism, which are frequently reflected in his songs.

[citation needed] Raised in an educated milieu, the son of an intellectual, Renaud adopted the looks and attitude of working-class youth in the 1970s, and reflected this in his lyrics.

His music focuses on the disparity between classes, the abuse of political power, overbearing authority and disgust for the military and the police, with rare glimpses of tenderness for his fellow humans, the planet earth, and art.

[citation needed] In 1992, he financially helped resurrect the defunct satirical weekly Charlie Hebdo and wrote a column titled Renaud bille en tête for a couple of years.

That album's hit was "Manhattan-Kaboul", a duo with Axelle Red which tackled current issues by drawing a parallel between a victim of the 9-11 attacks in New York and an Afghan girl, both caught up in a war they don't understand.

Produced by ex-Boomtown Rats bassist Pete Briquette, the album was commercially successful (certified double-platinum in just over a month)[1] but the singer's feeble, often out-of-tune vocals caused some negative reviews.

In 2007, he announced to the press his intention to move his family to London, citing a love for British society and expressing disillusionment at the current state of France.