Renee Prahar

[1] She studied sculpture in Paris at the École nationale supérieure des Beaux-Arts, working with Auguste Rodin and Antoine Bourdelle.

[4] She appeared with Mansfield in Old Heidelberg (1903-1904),[5] The Death of Ivan the Terrible (1905),[6] The Merchant of Venice (1906),[7] The Scarlet Letter (1906),[8] and Peer Gynt (1906).

[9] As a sculptor, Prahar created portrait busts[10] and human or animal figures, usually angular and stylized, in a method she called "Triangularism".

[12] Her "Fox Gate Posts" were featured in the 1931 opening of the American Women's Association's permanent gallery in 1931.

[17] In 1930 she wrote in protest of fellow sculptor George Grey Barnard's eviction from his studio space.