"Resentment" is a song written by Walter W. Millsap III, Candice Nelson and Curtis Mayfield, and originally performed by Victoria Beckham.
The original version of the song was composed by Walter W. Millsap III and Candice Nelson and contained the instrumental of Curtis Mayfield's "Think" from the film Superfly in 1972.
"Resentment" was originally written by Walter M. Millsap III and Candice Nelson for Victoria Beckham, who recorded her version of the song in 2003.
Gail Mitchell of Billboard stated that Beyoncé "shifts into emotive mode" on this song from "rockier, edgier" sound of album and noted that the track "calls to mind the subtle fervor and passion of the best girl groups of the '60s and '70s".
[11] Brian Hiatt from Rolling Stone marked the track as "one of the most arresting moments" on the album and described it as an "anguished, sixties-tinged ballad".
[6] Sal Cinquemani of Slant Magazine noted that the song would have been better if performed by a trio of "talented" vocalists, such as Destiny's Child, rather than Beyoncé by herself.
[14] Houston Chronicle's Joey Guerra felt that "Doubters of Beyoncé's immense talent need only give one listen to this track ['Resentment'] from 2006's B'Day.
[22] Nate Chinen of The New York Times said, "There's exactly one human-scale moment in the concert, when she sits at the lip of the stage to sing an acoustic treatment of 'Resentment,' from her album 'B'Day.'
[24] She announced it as her "favorite song" and according to Georgette Cline of The Boombox, "fans could feel the pangs of her once-broken heart on 'Resentment,' as she cooed of a lying lover who deceived her".
[27] According to Chuck Darrow of The Philadelphia Inquirer, the acoustic performance of the ballad, "proved a nice respite from the relentless thump-thump-thump of the many dance-pop numbers".
[28] Tris McCall from The Star-Ledger wrote that Beyoncé brought the song to life further describing the performance as a "full-scale psychological portrait in three and a half minutes".
[35] During the concert, Beyoncé moved to an island stage in the middle of the stadium, dressed as a bride in white with a floor-length bridal veil and performed the song seated.
[36] Video projections of the pair shooting at each other in an abandoned church, dressed in wedding attire followed as images of guns flashed across the screen with the words "this is not real".