"[8] AllMusic's Jason Birchmeier commended the record's songwriters and producers for crafting a lean track list that offers catchy singles, calling it "an energetic, slick, and stylish album with plenty of subtle sex and overt gloss — everything early-2000s pop listeners demand in their superstars."

He concluded that "In short, Sisqó gives you exactly what you want — assuming you liked his debut album — offering a can't-miss collection of should-be hits and even more of his ceaseless crooning.

"[2] Tom Sinclair of Entertainment Weekly praised the album's mixture of raunchy sex anthems and sensitive love ballads, calling it "a vast improvement over a debut that felt as artistically flimsy as the subject matter of 'Thong Song'.

A phalanx of producers (most notably Al West on "Infatuated," Teddy Riley on "Can I Live" and Nathan "N8" Walton on "Last Night") provides catchy, digitized riffs that give the up-tempo tracks the panoramic sheen of a video game.

The lyrical content of the tunes and the way they are juxtaposed for maximum stylistic contrast throughout the disc, however, are fickle to a fault and laden with superficial sincerity.