Reuleaux tetrahedron

This shape is defined and named by analogy to the Reuleaux triangle, a two-dimensional curve of constant width; both shapes are named after Franz Reuleaux, a 19th-century German engineer who did pioneering work on ways that machines translate one type of motion into another.

One can find repeated claims in the mathematical literature that the Reuleaux tetrahedron is analogously a surface of constant width, but it is not true: the two midpoints of opposite edge arcs are separated by a larger distance, The volume of a Reuleaux tetrahedron is[1] The surface area is[1] Ernst Meissner and Friedrich Schilling[2] showed how to modify the Reuleaux tetrahedron to form a surface of constant width, by replacing three of its edge arcs by curved patches formed as the surfaces of rotation of a circular arc.

[5] In 2011 Anciaux and Guilfoyle[6] proved that the minimizer must consist of pieces of spheres and tubes over curves, which, being true for the Meissner tetrahedra, supports the conjecture.

In connection with this problem, Campi, Colesanti and Gronchi[7] showed that the minimum-volume surface of revolution with constant width is the surface of revolution of a Reuleaux triangle through one of its symmetry axes.

Man Ray's painting Hamlet was based on a photograph he took of a Meissner tetrahedron,[8] which he thought of as resembling both Yorick's skull and Ophelia's breast from Shakespeare's Hamlet.