[2][3] As one of the first women to be involved in the new media arts in Canada, her large-scale projects influenced many artists she mentored.
[6] She has done work with "the misogynistic world of video games, the disciplinary effects of medical science, the stimulation of human intelligence and affect in robotics, and the visual modeling of protein molecules.
"[8] Her "most ambitious piece" (according to Robert Enright) is Imaginal Expression, which appeared in a featured exhibition at the Winnipeg Art Gallery in 2004.
[6] In this piece, she shaped parts of her body (hair, skin, fingers) into protein molecules projected as moving images on a 9' x 48' screen.
"[8] sentientBody, 1998, uses Stone's own disembodied breathing matched with images of water and sand "to both realize and dematerialize the existence of the body" (according to Enright).