Across its history, critics' polls in The Wire have tended to reflect the magazine's eclectic, avant-garde sensibility and coverage of experimental music across a broad variety of genres.
[1] The magazine published an all-genre poll for the first time in 1991, a so-called "open vote 'beyond' category" that was still subordinate to the "main" list of jazz and improvised releases.
The blurb accompanying that year's poll announced that the "main chart takes the form of an all-inclusive, open-ended category—contributors were asked to vote for their favourite records across all genres, from jazz to Techno, opera to Africa, metal to Minimalism.
The change meant that critics could cast votes for "any self-contained audio entity, be it a vinyl LP, 12" EP, cassette, CD, download, mixtape, etc.
The project was cited in the 2019 book The Fundamentals of Graphic Design as "an immersive and dynamic experience perfectly reflecting the publication's long-running championing of experimental approaches to making and performing music.