The language and process of mathematics, as elements of, foundation for art, inform an analytic expressive condition that inspires a visual reckoning for a convergence: from the illustrative to the metaphysical to the poetic.

And in the dialectic of visual art call and text performative response, there is an inter-dimensional conversation where the twisting structures of language, vision and human ways give birth to the spiritual lattice of a social geometry, a community constructivism -- a place of connections, where emotional calculations meet spirited abstraction.

This interdisciplinary project has featured numerous exhibitions around the country collaborating with many notable artists, writers, and musicians including: Sol LeWitt, Adrian Piper, Dorothea Rockburne, Al Loving, Joe Overstreet, Howardena Pindell, Helaman Ferguson, John Hiigli, Vandorn Hinnant, Karen Finley, Dread Scott, Paul D. Miller, Bob Holman, Kate Rushin, Roman Verostko, Joan Waltemath, Tara Betts, Brent Collins, Mike Field, Kazmier Maslanka, Ken Hiratsuka, Yael Acher Moriano, Richard Kostelanetz, Kristin Prevallet, John Sims, and former U.S.

Such community experiences are created through call and response performances, social media and special video music projects such as The Rhythm of Structure and The Pi Day Anthem featuring John Sims and Vi Hart .

[14] The MathArt/ArtMath exhibition featured: Josef Albers, Thomas Banchoff, Richard Anuszkiewicz, Manuelo Baez, Jhane Barnes, Max Bill, Mel Bochner, Brent Collins, David Davis, George Deem, Agnes Denes, M.C.

[6][7] The Mathematical Aesthetic, 2004, Wilmer Jennings Gallery in New York City, New York, included artists: Joe Overstreet, John Biggers, Brent Collins, Lisa Corinne Davis, Fred Eversley, Terri Foster, Charles Gaines, Simon Gouverneur, James Little, Al Loving, Vandorn Hinnant, Scott Johnson, Howardena Pindell, John Sims, Kevin Sipp, Al Smith, Joyce Wellman, and Jack White.

Featured artists for this exhibition included: Davide Cervone, Brent Collins, Alex Feingold, Helaman Ferguson, Mike Field, Nat Friedman, Chaim Goodman-Strauss, Gary Greenfield, Bathsheba Grossman, George W. Hart, Slavik Jablan, Sol LeWitt, Charles O. Perry, Tony Robbin, Radmilla Sazdanovic, John Sims, Carlo Sequin, and Peter Swedenborg.

[27] The Cartesian MathArt Hive featuring The Hive Artists The Cartesian MathArt Hive created by John Sims based on the rotations of his piece SquareRoots of a Tree in a collaboration of the following works: Haloed Angel Study: Spark by Dorothea Rockburne, Eseau on Globe Crossing by Joyce Wellman, Chrome 151: 3 Spheres by John Hiigli, Isometric Systems in Isotropic Space-Map Projection: The Cube by Agnes Denes, Square Roots of a Tree by John Sims, Squaring the Circle: Heaven in Earth by Pam Tuczyn, Drawing 13 by Roman Verostko, Poincare-double lace by Carlo Sequin, Iterations by Mike Field, Enlightened Vision #10 by Christina Schmitt, Kelien-Fountain by Davide Cevone, Root Three Fractal SpiralGram by Vandorn Hinnant, Zero by Kevin Dean, Tree Root of a Fractal by John Sims, Spheres by Susan Happersett, Fish by Ken Hiratsuka, Drawn with a Compass, Chopstick and a Pen by Howardena Pindell, Our Days are Numbered!

[27] Mathematical Graffiti featuring Fernando Mora, John Sims with Kyle Goen, Mark Turgeon, and the Bowery Poetry Club Patrons Mathematical Graffiti featured: Fernando Mora, John Sims with Kyle Goen, Mark Turgeon, and the Bowery Poetry Club Patrons.

Poetic Responses: Mutually Inverse Operations: Mathematical Poetry on the Occasion of the Mathematical Graffiti Wall by Gregory Vincent St. Thomasino, Proportional Poems by Kaz Maslanka, Graffiti Mathemaku by Bob Grumman, 33 Symmetry Axes x 40 Orthogonal Triples: or, Free Will, Revisited by Stephanie Strickland, Who Counts, Counts by Stephanie Strickland, and Notes on Numbers by Richard Kostelanetz.

[35] The HyperQuilt featuring Helen Beamish, Elaine Ellison, Suzanne Gould, John Sims, Ella Toy, Diana Venters, and Paula Wynter The HyperQuilt featured: Helen Beamish, Elaine Ellison, Suzanne Gould, John Sims, Ella Toy, Diana Venters, and Paula Wynter.

The course, "Rhythm of Structure: Trees, Flags and Clock", examined the mechanisms/structures of developing John Sims' three large-scale interdisciplinary art projects (as case studies), which explored issues of social justice, community building, and the politics of grand scale works.

[42][54] In connection to the film screening, there was are dinner, art performance reception featuring John Sims and Karen Finley's Square of Love installation from the Rhythm of Structure exhibition at the Bowery Poetry Club.

The performance program included Twinkle, the late Kenny Drew Jr., Thomas Carabasi, Eleonora Lvov, Nate Jacobs, Michael Mendez, Kyleelise Holmes, Greg Tate and Bahiyyah Maroon.