He incorporates historic elements in a variety of ways such as relating the archaeology of the site to the traditional mythic stories that were passed down the generation.
A notable example would be the Sylvia hotel tower, with large glazing area and thin floorplates that influence the high rises of Vancouver for years to come.
Later that year, he discovered his father - an agricultural instructor who was Lancaster fighter pilot in World War 2 - was killed in action.
Henriquez comments that his interest in history may have stemmed from his absent father, inspiring the architectural work that he produced over the years.
This influenced young Henriquez to follow his footsteps and explored artistic endeavors such as creating sculptures out of limestone and painting.
Many of these residential projects, were situated on hilltop sites or steep slopes, giving Henriquez experience later in his life when he designs for Vancouver's hilly topography.
[5] For his final thesis project, Henriquez developed a conceptual scheme of a satellite town for 100,000 people near Germantown, Maryland.
The project was deeply influenced by his supervisor, Lubicz-Nycz who believed that architecture is spiritual, where it must honor the past and carry its narrative, while allowing future growth.
On the site's immediate east are the 1958 Ocean Towers, both eighteen-stories tall, slab-form apartment building built in Miami Modern style.
The Sylvia hotel had a "streaky bacon style" aesthetic, meaning it was a brick building with its base and corner cornice capitals made of strips of stone in a lighter color.
Therefore, The program of Sinclair Centre was called to transform an entire block into government office complex mixed with retail and public functions and replacing the image of the building from being austere to being open and accessible.
[10] The building is named after James Sinclair, a businessman and politician that was the former president of Lafarge Cement in North America and the maternal grandfather of Canadian Prime Minister Justin Trudeau.
Once visitors enter the cylindrical structure, they will be surrounded by ten cabinets with glass cases that contain found objects ranging from a diversity of architectural models, notes, sculptures, drawings, letters and photographs that demonstrate Henriquez's creative process.