His art delves deep into concept and ideas, and he uses a multitude of materials to create his installations, sculptures, videos, and sound projects.
Richard Humann's influences are as broad ranging as from Donald Judd, and Nam June Paik, to Jonathan Borofsky.
[1] His artwork bears conceptual similarities and to that of Joseph Kosuth, Sol LeWitt, Lawrence Weiner, Edward Ruscha, and Robert Morris.
Critics have described his career as; "Humann's installation and environmental art pre-dates by half a decade the forceful movement in that direction that occurred in Williamsburg from 1989 and into the 90s.
To me, it seems to fair to say that northern Brooklyn installation art begins with Richard Humann",[2] and "Humann's experimental approach led to works that juxtapose historically sanctioned self-exploration with the tightening noose of academic appropriation and the globalized international art market.