He also contributed to several Nurse With Wound projects and formed an industrial avant-funk band called The Truth Club together with Trefor Goronwy, who would go on to join This Heat.
In a 1994 feature in The Wire on ambient jungle by Simon Reynolds, Haigh's influences were listed as Pere Ubu, The Pop Group, Can, Faust and Neu!
[2] In the 1990s, Haigh developed a unique style of what has become known as ‘ambient drum 'n' bass’ and released six EPs and six albums under the name Omni Trio to great acclaim.
Mainstream trends in dancefloor-oriented drum 'n' bass rapidly diverged from his musical style, and subsequent albums Skeleton Keys (1997), the Detroit techno-influenced Byte Size Life (1999), and Even Angels Cast Shadows (2001) produced no big club hits on the scale of his early singles, but they further cemented his reputation as one of the finest album-oriented musicians in the genre.
[5] On his decision to cease recording as Omni Trio he has said: "After Even Angels Cast Shadows and especially the minimal structures of Rogue Satellite, I felt that perhaps my work was done in this particular area.
Where Time Will Say Nothing focused on Haigh's darker and more industrial period, Cold Pieces represents the evolution into more piano based experimentation.