Robert Lovell Gwatkin

[1] He was the son of Edward Gwatkin (died 1764), a merchant in Bristol, and his wife Ann(e) Lovell.

"[23] Also at Kea, Gwatkin had a new church built, All Hallows, on a changed site, to a design by James Wyatt; it was opened in 1802.

John Daubuz, the rebuilt church was opened in 1894, including a painted altar piece with angel heads by Theophila Gwatkin.

[26] The Cornwall survey of 1811 compiled by George Bouchier Worgan for the General View of Agriculture mentions Gwatkin a number of times as an improving farmer.

[27] In March 1813 Killiow House, "late in the possession of Robert Lovell Gwatkin", was put up to let.

Jeremiah Trist at Veryan, over the estuary from Kea, and whose daughter Charlotte married Gwatkin's son John, wrote of abatement of rents, debt and the distress of labourers affecting farming in his area of Cornwall.

[34][35] The Historical Survey of the County of Cornwall written by Charles Sandoe Gilbert and published 1817–20 said that Killiow house remained vacant, and Gwatkin, "one of the most respectable magistrates belonging to the county of Cornwall, has of late resided chiefly in Devon.

[12] The Daubuz family, owners of the nearby tin mine at Carvedras, Truro, built onto Killiow House.

[51] At the 1832 general election Gwatkin seconded Edward Wynne-Pendarves as candidate for Cornwall West, who had been proposed by Sir Hussey Vivian, remarking that he himself had been a reformer for 50 years.

[54] In 1841 he was part of a Plymouth deputation to Lord John Russell, with Thomas Gill the local Member of Parliament and others.

Some attributions to her, such as copies of the "Cardinal Virtues" designed by Reynolds for stained glass in the chapel of New College, Oxford, have been challenged.

[74] Her will left a house in Princess Square, Plymouth to the daughters Anne Gwatkin and Mary St John.

[75] Gwatkin bought in 1821, after the death of his sister-in-law, the Marchioness of Thomond, two of the sketch-books of Reynolds, and had Joseph Skelton create facsimiles.

[77] Editions of sketch-books were later published in works by William Cotton (1859), and as revised by Charles Robert Leslie with Tom Taylor.

[78] Benjamin Robert Haydon travelled in 1845 to Plymouth, to see Theophila Gwatkin and consult the Reynolds papers.

Robert Lovell Gwatkin c.1781, after Sir Joshua Reynolds
Pastel portrait of Theophila Palmer by Frances Reynolds
Killiow House today
Theophila Palmer c. 1777, studio of Joshua Reynolds
Reynolds "The Age of Innocence" there is unproven speculation the sitter was Theophila Gwatkin
Theophila Gwatkin, c.1785, as "Simplicity", portrait painted by Joshua Reynolds as a present to Robert Lovell and Theophila Gwatkin, in the family to 1884 [ 76 ]