He then moved to West Germany and associated with Fluxus artists, such as Robert Filliou, Dieter Roth, Dorothy Iannone, Daniel Spoerri, and Ben Vautier.

[2] On another occasion Page made a chalk portrait drawing of Joseph Beuys, with begging bowl, on the pavement in front of the National Gallery.

[3] In 1966 he was with Gustav Metzger, Otto Muehl, Wolf Vostell, Yoko Ono and others a participant of the Destruction in Art Symposium (DIAS) in London.

His Bluebeard AMuseum mocked the notion of the Institution and placed himself at the centre of his art "collection", against private and state-run and cultural organisations.

An example is the painting "Freedom is a Burning Brush" which features the artist posing as the Statue of Liberty, holding a paintbrush as a torch.