Roelant Savery

Like so many other artists, he belonged to an Anabaptist family that fled north from the Spanish-occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem[3] around 1585.

The house had a large garden with flowers and plants, where a number of fellow painters, like Adam Willaerts were frequent visitors.

Though he would have pupils until the late 1630s, amongst which Allaert van Everdingen and Roelant Roghman, he went bankrupt in 1638 and died in Utrecht half a year later.

[7] His unique style of painting, related to the then reigning Mannerism, has been highly popular with collectors and can be found in many museums in Europe and North America.

Jan Savery was also known for his paintings of the dodo (including a famous 1651 illustration currently held at the Oxford University Museum of Natural History), which he probably copied from his uncle's work.

Savery is famous for being the most prolific and influential illustrator of the extinct dodo, having made at least ten depictions, often showing it in the lower corners.

Painting of a forest filled with birds, including a dodo
Landscape with Birds showing a dodo in the lower right and an unknown macaw on the left, by Roelant Savery, 1628
One of the most famous paintings of a dodo, from 1626. The image came into the possession of the ornithologist George Edwards , who later gave it to the British Museum. [ 1 ] The same unknown macaw appears on the right
Still life (130x80cm, 1624). The largest painting he ever made, with 44 different species of animals and 63 species of flowers. [ 6 ]