[4] In 2012, she was invited to a four-month residency this year at the Max Planck Institute in Berlin, where she worked alongside leading research scientists exploring similar themes of astronomy and science.
In 2012, Devasher participated in the inaugural Kochi Muziris Biennale curated by Krishnamachari Bose and Riyas Komu.
In Aspinwall House, the main venue of the Kochi-Muziris Biennale[8] Rohini Devasher’s seven- channel video work, Parts Unknown was installed.
The show explores existentialist themes by looking at the place of humans in the universe, and the idea of time interacting with the museum’s collection of fossils from the Jurassic Period.
In the exhibition, Devasher also worked with the museum’s Philip’s Planisphere,[12] made with embossed and gilded leather, from the early 20th century.