Romuald Hazoumè (born 1962, Porto Novo, Republic of Dahomey) is a Yoruba artist and sculptor, from the Republic of Bénin.
[1][2][3] He is best known for his work La Bouche du Roi, a reworking of the 1789 image of the slave ship Brookes.
[4] La Bouche du Roi was widely exhibited in the United Kingdom as part of the centenary remembrance of the Slave Trade Act 1807 by Parliament.
These masks, made from discarded gasoline canisters, resemble those used in traditional African culture and ceremonies.
In explaining these works, Hazoumè has said: “I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day.”[5] Hazoumè is among the artists represented in The Contemporary African Art Collection (CAAC) of Jean Pigozzi.