Ron Jude

[17] "Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts,"[17] "Lick Creek Line tells a story, while constantly subverting it again.

"[22] Executive Model (2012) contains photographs of American businessmen in the financial districts of Atlanta, Chicago, New York City and San Francisco between 1992 and 1995.

It is "an exploration of the corporate executive as a representative type, as a locus of many of our unspoken assumptions about masculinity, social privilege, race, and power.

"[24][25] Vitreous China (2016) contains photographs made in areas of light industry in (primarily) Midwestern American cities, in particular "the ambient peripheral zones suffusing these environments: big rig parking lots, side exits, and other secondary spaces".

[26] Jude's grandfather worked as a kiln operator in plants using vitreous china, an enamel coating applied to porcelain.

[2][4][28] Its larger first section mostly depicts tightly cropped views of rocks, ice sheets, volcanoes and raging bodies of water, "with only occasional minor appearances of flora".