"[6] Torres-García's words testify to Rosa Acle's precocity and the "astonishment" that caused "her rapid assimilation and understanding of the doctrine, as well as the rules derived from it.
[7] Acle was removed from the AAC and left for Paris with letters of introduction to Torres-García's old friends Julio Gonzalez, Wassily Kandinsky, Jacques Lipchitz, and Pablo Picasso.
In that same year, Rosa Acle visited Italy, Switzerland, Egypt, and Java before arriving in Australia just as World War II broke out.
In a letter to Lipchitz, with whom she continued to correspond, she confided: "seeking to be a good wife and mother, I relegated all my aesthetic concerns to my subconscious.
Although she visited her former teacher, Joaquin Torres-García, and continued to work in Constructivist style for many years, Acle never joined his famous workshop, El Taller.
From 1950, her work was characterized by an imaginary element of classical iconography, Hindu philosophy, oriental decoration and Torresgarcian constructivism converged.