Blackfriars Rotunda

James Parkinson came into possession of the collection of Sir Ashton Lever quite by chance: Lever put it up as a lottery prize, Parkinson's wife bought two tickets, gave one away, and died before the time the lottery draw was carried out.

[1] The Rotunda building had a central circular gallery and in brick; the roof was conical and in slate.

One attempt, a proposed purchase by the government, was wrecked by the adverse opinion of Sir Joseph Banks.

There were other public rooms: Adjoining the theatre and near the inclosed part appropriated to the lecturer, is the chemical laboratory, in which convenience, compactness, and elegance are united.

[14]The building from 1823 was used in a variety of ways until 1855, when it was put to ordinary business use,[15] as the Royal Albion pub.

[17] It also hosted a diorama (a peristrephic panorama as described at the time), and a book about its representation of the Greek War of Independence was published in 1828.

The Home Office regarded the Rotunda as a centre of violence, sedition and blasphemy, and regularly spied on its meetings.

[24] From 1833 to 1838 it operated as the Globe Theatre; under John Blewitt it was called a "musick hall",[25] and in 1838 the Rotunda was again a concert room.

After an illegal cock fight was discovered, the Rotunda finally lost its entertainment licence, in 1886.

Street view of the Rotunda as Leverian Museum.
The environment of the Rotunda (in the terrace of houses partially hidden to the left end) is shown in this panorama of 1792, from the top of the nearby Albion Mills.
Panorama detail; the portico of the street entrance to the Rotunda stands out.
Leverian Museum admission ticket depicting Father Time and the unveiling and illumination of Mother Nature
Leverian Museum collection in the Rotunda. Engraving by William Skelton after Sarah Stone and Charles Reuben Ryley .
Furnaces at the Surrey Institution, from a chemistry book of 1822.
Interior view, 1820.
Floor plan of the Leverian Museum