Rusalka

[1] Rusalki appear in a variety of media in modern popular culture, particularly in Slavic language-speaking countries, where they frequently resemble the concept of the mermaid.

[5] Long-standing, likely pre-Christian, annual traditions resulted in that time of year being associated with spirits (navki, mavki) which were subsequently named for the holiday.

[6][7][8][9][10][11] According to Vladimir Propp, the original "rusalka" was an appellation used by pagan Slavic peoples, who linked them with fertility and did not consider rusalki evil before the 19th century.

Her main purpose is, however, to lure young men, seduced by either her looks or her voice, into the depths of said waterways where she would entangle their feet with her long hair and submerge them.

[15] It is also believed, by a few accounts, that rusalki can change their appearance to match the tastes of men they are about to seduce,[citation needed] although a rusalka is generally considered to represent universal beauty, therefore is highly feared yet respected in Slavic culture.

[16][17] According to Dal's Explanatory Dictionary, the expression "Walks like a rusalka" (Russian: Ходит, как русалка) is applied to girls with unkempt hair.

A common feature of the celebration of Rusalnaya was the ritual banishment or burial of the rusalki at the end of the week, which remained as entertainment in Russia, Belarus, and Ukraine until the 1930s.

[24] Regarding representations of the rusalka in modern popular culture, folklorist Natalie Kononenko says, "the currently dominant presents her as something like a mermaid, though she is pictured as having legs rather than a fish tail ...

In the past, her image was more complex and she more closely resembled a nature spirit, found not only near water but in fields, forests, and mountains, rather like the vila ...".

Ivan Kramskoi , Rusalki ("The Mermaids"), 1871
Witold Pruszkowski Rusałki , 1877
Rusalka by Ivan Bilibin , 1934