In The Verge, Andrew Liptak discusses Winter Tide, writing "Along with a previous novelette called The Litany of Earth, it subverts Lovecraft's notorious racism by making his monsters - which were often thinly veiled stand-ins for people of color - sympathetic protagonists.

"[4] With regard to Litany of the Earth, Noah Berlatsky writes for The Verge the "real horror in this story update isn’t fish-people; it's violent prejudice, as seen from the monsters’ perspective.

"[6] Publishers Weekly writes in its review of Winter Tide, "Emrys’s characters are more openly comfortable with the supernatural than Lovecraft's horror-struck mortals, and her sensitive comparisons of Aphra's experience to those of other confined and displaced peoples make the novel historically relevant and resonant.

"[10] In a review of Imperfect Commentaries, a collection of 25 stories and poems, Publishers Weekly writes, "Emrys's tales abound with magic and marvels, but her focus is on the nuances that define the humanity of her characters, seen most perceptibly in "The Litany of Earth," which introduces the protagonist of her novels Winter Tide (2017) and Deep Roots (2018): a descendant of the amphibious race in Lovecraft's "The Shadow over Innsmouth" whose persecution has echoes of the plight of contemporary refugees.

"[12] In 2022, Emrys published A Half-Built Garden – a first-contact novel set in a near-future world, where decentralized, self-governed watershed networks managed to replace corporations and nation states as the primary means of societal organization.