Magnus Eriksson, writing in the Swedish national daily newspaper Svenska Dagbladet, said that the melodies were soft, caressing, slightly lilting, like the lyrics, giving an immediate and close expression for her experience.

[2] The FolkWorld music review website wrote that it respected Karlsson for daring to record her own compositions after her two albums of covers.

It liked the "solid guitar, nice violin" and other instruments, Blåsut being reminiscent of Alison Krauss in style and sound.

While the album was less adventurous than her earlier work, it was beautiful and would please listeners who liked Karlsson's style, fitting "perfectly in her repertoire".

Dahlbom called it Americana with a melancholy shimmer, folk music that vibrated with sensitivity and the joy of performing.