Most of his subjects oscillated between events from classical Indian literature including the Ramayana, the Mahabharata, the Puranas, and the contemporary cinema of his times.

He infused a rare blend of artistic virtuosity and filmi glamour to his portrayal of romantic characters like Radha-Krishna, Nala-Damayanti, and Viswamitra-Menaka as also the many heroes and heroines of Hindi cinema.

He came to Mumbai in 1935 and joined Nootan Kala Mandir for further studies under the guidance of Shri G S Dandavathimath and appeared for his Diploma at Sir.

School was the famous artist M. V. Dhurandhar known for his use of naturalistic techniques to depict scenes from Indian mythology, History and Classical Literature, a style he inherited from Raja Ravi Varma, and passed on to Pandit.

They also became the first Indians to create painted show-cards featuring Hollywood greats, Greta Garbo, Norma Shearer, and Joan Crawford for the MGM.

Pandit left the Studio to join Ratan Batra's advertising agency, which had as its clientele many of the new indigenous industrial houses like Mafatlal, Kohinoor, Khatau, etc.

During this time, Pandit designed the posters and other publicity material for such films as Dr. Kotnis Ki Amar Kahani,[2] 1946; Barsaat,[3] 1949, etc.

However Pandit along with Mulgaonkar, took a further step by subjecting the new forms of religious and mythic imagery inaugurated by Raja Ravi Varma, to the technical innovations of his times in tune with the demands of the market, particularly in relation to film and calendar art.

Many of the Hindu religious images of the calendar art era have been subsequently adopted and innovated, wholly or in part by the present day Hindutva propaganda.

The exhibition of his mythological and portrait paintings in 1978 at the Ravi Shankar Hall and the Indian High Commission in London and Manchester won him popular appreciation and critical acclaim.