On the Other Side of the Pillow) is the second studio album from Serbian and former Yugoslav rock band Bajaga i Instruktori, released in 1985.

The band entered Studio 5 in November 1984, with their songs already finished, but recording and mixing were nevertheless completed only in February 1985.

[2] According to Bajagić, the band's second album was not created on a particular concept: "It was a sort of a good sequel to Geografija.

So, everybody knew it was going to be OK."[3] "Dobro jutro, džezeri" featured guest appearances from two prominent jazz musicians, Mića Marković [sh] and Stjepko Gut, who both liked the song's lyrics and accepted the band's invitation to play on the record.

[3] Upon hearing the recorded material, Bajagić had some second thoughts about its quality, and even considered at one point to release only "Dobro jutro, džezeri" and "Zažmuri" as a single.

[3] In a 2009 interview with journalist Aleksandar Arežina, Bajagić commented on the songs:[4] "The very first time we played it live was in Kulušić.

Bajagić commented: "I loved that Melanie Safka song when I was a kid because it had a good melody and a stanza in French, which I thought was interesting.

The song was played by [Goran Grbić] Grba, Neša Petrović, and a young jazz crew, not by Stjepko and Mića.

We thought they [Grbić and Petrović] weren't that perfect as these old guys [Stjepko Gut and Mića Marković].

We wanted to have something like brass players from Jamaica, which never sound like jazz musicians, but as amateurs playing trumpets.

These guys [Grbić and Petrović] weren't amateurs, but were still young jazzers at the time.

Within the Youth Center, where we rehearsed, there was a jazz club that stayed open until 2a.m., which wasn't customary at the time.

We often hung out with jazzers because we used to keep our instruments in the same room and we often used to stay together until 3 or 4 a.m. [The verse] 'Dole ispod Slavije, kada šina savije' ('Down under Slavija, where the tram road turns') is a real experience from when we used to go home from the Youth Center.

I think the Miša Vukobratović-directed video, where Žika plays a bearded doctor, is the best explanation of the song.

Disco rock with a slight influence of James Brown and of course of Beethoven's Symphony No.

Our friend Mita, a folker, knew how to play some French stuff on the accordion.

"I wanted us to have a classic twelve bar rock and roll, because it's always good for concerts.

That's why the PGP-RTB [record label] guys were furious, telling us: 'Are you insane, why didn't you choose one of the fast ones?'

Before that, someone from Bijelo Dugme—I can't remember whether it was Ipe Ivandić or Zoran Redžić—told us: 'It's not easy to go with the ballad first'.

Soon after the album release, the songs "220", "Vidi šta mi je uradio od pesme, mama", "Ti se ljubiš (Na tako dobar način)", "Šarene pilule za Li-Lu-Le", and the ballads "Dobro jutro, džezeri", "Sa druge strane jastuka" and "Zažmuri" became huge hits.