[3][2][4] In North Korea, South Korean historical dramas are generally called 고전 영화 (Hanja: 古典 映畫, RR: Gojeon Yeonghwa) or classic film.
In the 1970s, due to the popularity of television, cinema started to decline, and in the 1980s it encountered a crisis, which prompted filmmakers to try to win viewers back with erotic pieces.
The following are notable Korean period drama series: The first film which can be regarded as a sageuk was The Story of Chun-hyang, directed by Japanese filmmaker Koshu Hayakawa (早川孤舟) in 1923.
In 1956, Wangja Hodonggwa Nangnang gongju (왕자호동과 낙랑공주) adapted the story of Prince Hodong and the Princess of Nakrang, Korea's very own Romeo and Juliet tale.
Examples include Jang huibin (장희빈; 1961), Naesi (내시, 'Eunuch'; 1968) or Women of Yi Dynasty (이조 여인잔혹사, Ijo yeoinjanhoksa; 1969).
Conforming to the circumstances, historical melodramas were preferred, but there were exceptions like Jeong Chang-hwa's martial arts films, inspired by the Shaw Brothers.
[2] This is the period when Joseon became the focus of attention, depicting the relationship between kings and officials, determining the nature of historical films for the next decades.
[8][10][6] The first historical television series in South Korea was aired in 1962 on state channel KBS, titled Gukto malli (국토만리), directed by Kim Jae-hyeong (김재형), set in the era of Goguryeo.
[2] Critics applauded other works, like Gate of Woman (홍살문, Hongsalmun, 1972), An Executioner (망나니, Mangnani, 1974), Concentration of Attention (집념, Jibnyeom, 1976) or A War Diary (난중일기, Nanjungilgi, 1977).
[3][2][14] The state channel KBS aired Gaeguk (개국, 'Foundation of the Kingdom') which depicted King Taejo's usurpation of the Goryeo throne in an overtly positive light, reminiscent of Chun Du-hwan's rise in politics.
Movies like Eoudong (1985) or Does the Cuckoo Cry at Night (뻐꾸기도 밤에 우는가, Bbakkugido bame unenga, 1985) were also popular at the box office.
[8] The 1990s saw a number of sageuk on television, like Han Myeong-hui (한명회, 1994), Jang Nok-su (장녹수, 1995), Tears of the Dragon (용의 눈물, 1996–1998) or King of the Wind (대왕의 길, 1998).
However, viewership ratings could not match up to that of contemporary Korean dramas, only a few could reach 30%, while for example the modern themed Eyes of Dawn recorded 58.3%,[15][16] Sandglass broke 50.8%.
A change in attitude is attributed to producer and director Lee Byung-hoon, who entrusted the script of Hur Jun to a young, up-and-coming scriptwriter, Choi Wan-gyu.
Instead of dry historical facts and distant wars, the series focused on emotions and relationships, revolving around the legendary Joseon royal physician.
[8] In 2003, Untold Scandal with drama icon Bae Yong-joon was released, but the real turning point in historical films came in 2005 with The King and the Clown, breaking box office records selling more than 12 million tickets.
Apart from so-called palace dramas, spectacular action-filled sageuk like War of the Arrows, The Grand Heist or Pirates are also successful in the 21st century.
Erotic period films experience a renaissance in South Korean cinema, with pieces like Forbidden Quest, The Servant or Empire of Lust.