Emmanuel replaced Greek painter Philotheos Skoufos as the priest of San Giorgio dei Greci.

Venetian masters Titian and Tintoretto both created paintings of Saint Mark.

The church stands as an emblem of Saint Mark and the traditional Greek Italian Byzantine style.

Two prominent greek painters affiliated with St Mark's Basilica were Thomas Bathas and Nikolaos Philanthropinos.

[4][5] The painting was created with egg tempera and gold leaf on wood panel.

Both The Last Supper and the Wedding at Cana featured tiled floors in a similar manner.

The floor allows viewers to visually establish the foreground, the middle ground, and the background.

The Saint's dark blue robe floats in mid-air while he looks to his left envisioning the story of Jesus.

The painter adds human anatomical features to Mark, his veins are clearly visible.

Mark's face gazes into space and the painter clearly expresses his facial features.

The lion has a majestic expression on its face while holding an open book with Greek letters.