He later appeared in Entre dos platos, Preston y compañía and Música clásica, his most successful play of the decade.
He also appeared in the period comedy Ganar el pleito (1884) about a private eye and his partner who get mixed up with trouble.
In 1885 he appeared in Mi pesadilla, Las grandes figuras political work of society in Spain with great triumph.
In the 1890s he worked with their own[clarification needed] successful pieces in the Spanish provinces, such as the Canary Islands, Mallorca, Murcia, and Andalusia... began to be released in smaller roles.
Later he had to adopt new works of popular taste but no longer had the force of youth and began accepting acting roles in generic lyrical and Spanish operettas by Federico Chueca, Ruperto Chapí, Tomás Bretón, Tomás López Torregrosa [es] and many others.
He composed piano pieces for Antonia and the song "Marcha flamenca" with music by Videgain and son.
His "Inspirational work, Videgain's title has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion european.
He sang with famous voices such as José Sigler, Enrique Lacasa, Bonifacio Pinedo, Ventura de la Vega and Miguel Fleta.
As a representative of his wife Doña Antonia García F. de Guzmán, he collected some of his awards in his later years, since she could not always attend the events, due to scheduling or health reasons.