[1] Hurlothrumbo was produced at the "little theatre in the Haymarket" early in April 1729, an epilogue by Byrom being added on the second night, while a prologue was contributed by Amos Meredith, another of the north-country wits in town.
The most striking figure in the performance was the author himself, who played the part of Lord Flame, fiddling, dancing, and sometimes walking on stilts.
[1] In 1730 Johnson, who had declined to produce Hurlothrumbo at Manchester, brought out, at Sir John Vanbrugh's opera-house in the Haymarket, The Chester Comics, with alterations by Colley Cibber.
There followed a production called The Mad Lovers, or the Beauties of the Poets, acted at the Haymarket, and printed in 1732 with a frontispiece representing the author in the part of Lord Wildfire.
Also attributed to him are a comic opera, A Fool made Wise, and a farce, Sir John Falstaff in Masquerade, both acted in 1741, and a tragedy, Pompey the Great.