Sandra Mann

In her cross-genre work, she deals conceptually with the relationship between people, with nature, the environment, the animal world and gender issues.

Mann became known for her photo impressions from the glamor and party world of the metropolises Paris, Milan and New York.

This creates visual chains of associations that place the images in contexts that define the artist's thinking for the viewer.

[citation needed] In the exhibition "Morir de Amor" at the Museo Universitario de Ciencias y Arte in Mexico City (MUCA) she exhibited with Marina Abramović, Tracey Emin, Nikki S. Lee, Bas Jan Ader, Sophie Calle, Douglas Gordon, Félix González-Torres, and Dominique Gonzalez-Foersterout.

On closer inspection, you can see that it is an installation in the form of an ordinary Ikea shelf that the artist had built into a wall and filled with records.

The viewer is misled by the images: In fact, the women are not playing in the Middle East, but in Frankfurt am Main, on the grounds of the empty wholesale market hall.

The video is musically underlaid with the techno piece “Apricot” by Sven Väth , which increases the irritation of the viewer – something is wrong here.

[15] Her works are represented at the Museum of Modern Art, the Kunsthalle Mannheim, the Tyrolean State Museum, the MUCA in Mexico City, the Vehbi Koc Foundation in the American Hospital in Istanbul, and the Art Collection of the Deutsche Börse Photography Foundation.