[2] Her work also explores the processes of nostalgia and historical myth-making,[3] often incorporating the playful, disarming, and absurd to draw the viewer into discussions of darker subjects.
She has a unique style of combining traditional painting techniques with sculptural elements, as well as typically feminine crafts such as sewing and tapestry.
[4] Although now a full-time artist, Aggenbach was a lecturer from June 2000– March 2004 at the Cape College in Graphic Processes, Two-Dimensional Design and Drawing.
Through these prints, Aggenbach offers a critique of African er identity, focusing on the generation inspired by the post-punk musicians.
[6][7] A 2008 body of work referencing tampered photographic film, which blurs the distinction between the imagined accuracy of photography and the inaccurate or misleading nature of painting.