"[8] Pitchfork's Grayson Currin gave the album a positive review, writing that "each of the longer numbers roll several themes and transitions into a relatively compact framework, again avoiding boredom by a bustle of activity.

“Slow Ruin,” one of two that makes it past seven minutes, volleys from field recordings to Touch and Go throb, from post-millennial blackened grandeur to an expansive noise fadeaway.

[14][15] Critics noted the experimental, diverse sound of the album, such as the "pummeling black-metal drums", "tense rhythmic lock of death metal", and the "astral ascendance of space-rock.

[16][17][18] In a review of Revisionist, the New York Times described the album as "many layers of guitar [forming] dissonant harmonies; sections grow and vary, never fully returning to where they started.

[22] Pitchfork wrote that "the four-minute track bears a fresh coat of corpse paint, teeming with pulverizing blast beats and tremolo guitars that wail like professional mourners.