That year, Crane sang in the Australian premiere of Elliot Goldenthal's Fire Water Paper: A Vietnam Oratorio.
There she sang Pamina in Mozart's Die Zauberflöte, Ginevra in Handel’s Ariodante, Janthe in Heinrich Marschner's Der Vampyr, and the soprano solo in Bruno Maderna’s Hyperion.
She also performed the soprano solos for Frank Martin’s Maria-Triptychon as well as for Karol Szymanowski's Stabat Mater with the Philharmonic Orchestra Freiburg.
For Opera Australia she sang the First Lady and Pamina (in separate productions) in Die Zauberflöte, Oberto in Handel's Alcina and Angelica in Orlando, the Wood Nymph in Dvořák's Rusalka and again Micäela in Carmen, and Sophie in Massenet's Werther.
[4] Her concert engagements include Handel's Messiah, Mozart’s Requiem, Beethoven's Choral Symphony, Brahms’ German Requiem, Orff's Carmina Burana (with The Queensland Orchestra), Opera Under the Stars (in Broome, Western Australia) and appearances with the Queensland Pops Orchestra.