Saul Steinberg

Steinberg arrived in New York City in July 1942; within a few months he received a commission in the US Naval Reserve and was then seconded to the Office of Strategic Services (OSS).

[12] In 1946, he was included in the critically acclaimed "Fourteen Americans" show at The Museum of Modern Art, New York, exhibiting along with Arshile Gorky, Isamu Noguchi, and Robert Motherwell, among others.

[13][14] However, toward the end of Sterne's life, she called their marriage license “the first of Saul’s phony documents, maybe.”[15] Steinberg's long, multifaceted career encompassed works in many media and appeared in different contexts.

In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.

The Foundation's mission is "to facilitate the study and appreciation of Saul Steinberg's contribution to 20th-century art" and to "serve as a resource for the international curatorial-scholarly community as well as the general public".

The Labyrinth by Saul Steinberg (1960)