[1] The Latin American premiere took place as part of the Black Canvas Contemporary Film Festival[2] in Mexico City.

When he happened upon images of the ageing grandmaster, he was inspired to embark on a pilgrimage by foot from the lakes of Zurich to Geneva to pay homage to Godard and, at the same time, convince him to film with him.

A witty and playful diary, shot on iPhone and 35mm during the trip, in which Imbach the faithful pilgrim looks back over his own career and engages in dialogue with his fascinating role model.

Trains from today and yesterday meet, the corridors of the Cinémathèque suisse are reminiscent of the Louvre escapes that Godard filmed.

"[4] Martin Kudlac: "Imbach creates a hybrid genre – a gonzo meta-documentary – that combines different documentary styles.