[3] Copti and Boukhari raised questions about the here and now, the past, and the rewriting of the words so as to enable us to live with the sixty years, expropriated time, and one.

The basis of the film was to capture the reaction to state oppression and the sense of the impossibility of justice by looking at how the criminal element becomes a role model for the young men of Jaffa.

It is sad that a director supported by the state ignores those who helped him create and express himself.According to David Sarange, Ajami is a representation of the artistic freedom of Israel which is key to all Israeli cultural creativity.

The company manufactures, and markets smart products designed to solve global social and cultural problems, especially Palestinian society.

According to the website, “The mission of CoptiCo is to cope with the major issues that are on the agenda of Arab societies and to foster research and development in the fields of peace, coexistence, gender inequality, and social solidarity.”[8]