It was written after her stage play of the same title (co-authored with her husband Montague Barstow) enjoyed a long run in London, having opened in Nottingham in 1903.
Sir Percy Blakeney leads a double life: apparently nothing more than a wealthy fop, but in reality, a formidable swordsman and a quick-thinking master of disguise and escape artist.
Zorro, Doctor Syn, the Shadow, the Spider, the Phantom, Superman and Batman followed within a few decades, and the trope remains a popular one in serial fiction today.
Meanwhile, the "League of the Scarlet Pimpernel", a secret society of twenty English aristocrats, "one to command, and nineteen to obey", is engaged in rescuing their French counterparts from the daily executions of the Reign of Terror.
Their leader, the mysterious Scarlet Pimpernel, takes his nom de guerre from the small, wayside red flower he draws on his messages.
The title character, Sir Percy Blakeney, a wealthy English fop who transforms into a formidable swordsman and a quick-thinking escape artist, established the "hero with a secret identity" in popular culture, a trope that would be seen in subsequent literary creations such as Don Diego de la Vega (Zorro), Kent Allard/Lamont Cranston (The Shadow), Clark Kent (Superman), and Bruce Wayne (Batman).
[6] By drawing attention to his alter ego, Blakeney hides behind his public face as a slow-thinking, foppish playboy, and he also establishes a network of supporters, The League of the Scarlet Pimpernel, that aids his endeavours.
[6] A plot technique from Pimpernel also used by some superheroes is the spurious "love triangle", where a woman is torn between attraction to her staid husband and the dashing hero—although they are in reality the same man.
"[3] The popular success of the novel is considered to be based on the myth of the aristocratic hero with a double life, along with the love story and conflict of loyalties.
[1] Dugan says that "Behind the wigs and Mechlin lace cuffs lies an enduring human story of love, misunderstandings, conflict of loyalties, audacious bravery – and a dramatic double life."
The Scarlet Pimpernel was produced and adapted by Neilson and Terry and the play opened on 15 October 1903 at Nottingham's Theatre Royal, but it was not a success.
The play was performed to great acclaim in France, Italy, Germany and Spain, while the novel was popular across the former British Empire and translated into 16 languages.
Conceiving the character while standing on a platform on the London Underground,[3] Orczy wrote in her autobiography, Links in the Chain of Life: I have so often been asked the question: "But how did you come to think of The Scarlet Pimpernel?"
Orczy did not publish her Pimpernel stories as a strict chronological series, and in fact, the settings of the books in their publication sequence may vary forward or backward in time by months or centuries.
While some readers enjoy following the author's development of the Pimpernel character as it was realised, others prefer to read the stories in historical sequence.
[16] The novel has been parodied or used as source material in a variety of media, such as films, television, stage works, literature, and games: Inspired by the title Scarlet Pimpernel, the Tartan Pimpernel was a nickname given to the Reverend Donald Caskie (1902–1983), formerly minister of the Paris congregation of the Church of Scotland, for aiding over 2,000 Allied service personnel to escape from occupied France during World War II.
Monsignor Hugh O'Flaherty was an Irish priest who saved thousands of people, British and American servicemen and Jews, during World War II while in the Vatican in Rome.
During World War II, he earned the nickname Svarta nejlikan ("the Black Pimpernel") for helping Norwegian resistance fighters in Hjemmefronten [nl] escape from the Germans.
[45] Stationed in Chile in the 1970s, he arranged for the escape of numerous refugees from the military junta of Augusto Pinochet; this brought him into conflict with the regime, and he eventually was forced to leave the country.
This name was also given to Nelson Mandela prior to his arrest and long incarceration for his anti-apartheid activities in South Africa due to his effective use of disguises when evading capture by the police.
cit., p.128 Raoul Wallenberg, a Swedish diplomat, was directly inspired by "Pimpernel" Smith, a 1941 British anti-Nazi propaganda thriller, to begin rescuing Hungarian Jews during World War II.
Enthralled by Professor Smith (played by Leslie Howard), who saved thousands of Jews from the Nazis, Nina stated, "We thought the film was amazing.