The program for Scotch Symphony stated, Balanchine [like Mendelssohn] wishes to evoke the sweep and freshness, the brilliance and strength inherent in the Highland landscape.
He has invented a classic ballet based on atmosphere and music, with an affectionate nod to the romantic tradition that made the hero of La Sylphide a Highlander.
"[1] She also noted the lead ballerina role "requires a high level of technique tempered by lightness, grace, and the quality of an otherworldly vision.
[4][5] In August 1952, while the New York City Ballet was performing at Edinburgh Festival, towards the end of the company's first European tour, George Balanchine attended the Searchlight Tattoo.
[2][3][5] Having enjoyed both the military tattoo and his visit to Scotland, and inspired by bagpipe and Scottish highland dance performances, Balanchine decided to make a Scottish-themed ballet.
[1][2] Wilde believed that in emulating Scottish highland dance, the dancers became prone to injuries, including "terrible calf cramps and shin splints.